Writing Fiction Janet Burroway Ebook3000
Writing Fiction: A Guide to Narrative Craft (8th edition)By Janet Burroway, Elizabeth Stuckey- French and Ned Stuckey- French. The most widely used and respected book on writing fiction, Writing Fiction guides the writer from first inspiration to final revision. A focus on the writing process in its entirety provides a comprehensive guide to writing fiction, approaching distinct elements in separate chapters while building on what has been covered earlier. Topics include free-writing to revision, plot, style, characterization, dialogue, atmosphere, imagery,. JANET BURROWAY is the author of seven novels and two texts on creative writing. Her Writing Fiction, now in its seventh edition, is the most widely used creative writing text in the United States. She divides her time among Tallahassee, London, and Wisconsin.
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Description
The most widely used and respected text in its field, Writing Fiction, Ninth Edition guides the novice story writer from first inspiration to final revision.
A bestseller through eight editions, Writing Fiction explores the elements of fiction, providing practical writing techniques and concrete examples. Written in a tone that is personal and non-prescriptive, the text encourages students to develop proficiency through each step of the writing process, offering an abundance of exercises designed to spur writing and creativity. The text also integrates diverse, contemporary short stories in the belief that the reading of inspiring fiction goes hand-in-hand with the writing of fresh and exciting stories.Table of Contents
1 Whatever Works: The Writing Process
Get Started
Journal Keeping
Freewriting
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The Computer
The Critic: A Caution
Choosing a Subject
The Dilemma, or Catch-22
The Incongruity
The Connection
The Memory
The Transplant.
The Revenge
Keep Going
A Word About Theme
Reading as Writers
About the Writing Workshop
How Workshops Work
The Writer’s Role
Writing Exercises
2 Seeing Is Believing: Showing and Telling
Significant Detail
Writing About Emotion
Filtering
Comparison
Types Of Metaphor And Simile
Metaphoric Faults To Avoid
The Active Voice
Prose Rhythm
Mechanics
We Didn’t
STUART DYBEK
Goal 666
Stacey Richter
Binocular Vision
Edith Pearlman
Writing Exercises
3 Building Character: Characterization, Part I
The Direct Methods of Character Presentation
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Dialogue
Summary, Indirect, and Direct Dialogue
Economy in Dialogue
Characterizing Dialogue
Other Uses of Dialogue
Dialogue as Action
Text and Subtext
“No” Dialogue
Specificity
Pacing.
Writing Fiction Burroway 9th Edition
Format and Style
Vernacular
Fiesta, 1980
Junot Díaz
Every Tongue Shall Confess
ZZ PACKER
Emergency
Denis Johnson
Writing Exercises
4 The Flesh Made Word: Characterization, Part II
The Direct Methods of Character Presentation
Appearance
Action
Thought
The Indirect Methods of Character Presentation
Authorial Interpretation
Interpretation By Another Character
Conflict Between Methods of Presentation
The Universal Paradox
Credibility
Purpose
Complexity
Change
Reinventing Character
Creating a Group or Crowd
The Character Journal
Character: A Summary
Bullet in the Brain
Tobias Wolff
Tandolfo the Great
Richard Bausch
Eleven
Sandra Cisneros
Writing Exercises
5 Far, Far Away: Fictional Place
Place and Atmosphere
Harmony and Conflict Between Character and Place
Place and Character
Place and Emotion
Symbolic and Suggestive Place
Alien and Familiar Place
An Exercise in Place
St. Lucy’s Home for Girls Raised by Wolves
Karen Russell
The Flowers
Alice Walker
A Visit of Charity
Eudora Welty
Writing Exercises
6 Long Ago: Fictional Time
Writing Fiction Janet Burroway Pdf
Summary and Scene
Revising Summary and Scene
Flashback
Slow Motion
You’re Ugly, Too
Lorrie Moore
The Fun House
Sherman Alexie
Currents
Hannah Bottomy Voskuil
Writing Exercises
7 The Tower And The Net: Story Form, Plot, and Structure
Conflict, Crisis, and Resolution
The Arc of the Story
Patterns of Power
Connection and Disconnection
Story Form as an Inverted Check Mark
Story and Plot
The Short Story and the Novel
Types of Fiction
Escapes
Joy Williams
Mud
Writing Fiction
Geoffrey Forsyth
Everything That Rises Must Converge
FLANNERY O’CONNOR
Writing Exercises
8 Call Me Ishmael: Point of View
Who Speaks?
Third Person
Omniscience
Limited Omniscience
The Objective Author
Second Person
First Person
To Whom?
The Reader
Another Character
The Self
Interior Monologue
Stream of Consciousness
In What Form?
At What Distance?
Consistency: A Final Caution
Victory Lap
George Saunders
No One's a Mystery
Elizabeth Tallent
Reply All
Robin Hemley
Writing Exercises
9 Play it Again, Sam: Revision
Re-Vision
Worry it and Walk Away
Criticism and the Story Workshop
Asking the Big Question: What Have I Written?
How Fictional Elements Contribute to Theme
Revision Questions
Further Suggestions for Revision
Examples of the Revision Process
Battery
Pia Z. Ehrhardt
Following the Notes
Pia Z. Ehrhardt
Writing Exercises
Appendix: What Next? Professionalism and Literary Citizenship
Index
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