Very Early Bill Evans Pdf
It isn't surprising that a number of posthumous releases featuring the legendary pianist Bill Evans have appeared since his premature death at 51 in 1980, but of particular interest are the series of privately made recordings featuring Evans prior to his becoming a professional recording artist. Even with the noise and frequent attempts at comic narration by one of the other band members on 'The Way You Look Tonight,' there are enjoyable moments. Of course, during a blindfold test it would be tough for anyone to identify Evans' playing during many of these early recordings, as his style wasn't fully formed in the 1940s. His approach to 'C-Jam Blues' is in a boogie-woogie vein, while 'The Man I Love' receives a brisk loping treatment. The swinging track labeled 'To Harry From Family - Improvising' is clearly based on the chord changes to 'Just You, Just Me.' Evans made relatively few commercial recordings with singers (which included Tony Bennett, Lucy Reed, and Monica Zetterlund), so it is fun to hear him with vocalists on this CD. Dottie Drews' vocals aren't as memorable as the backing she receives, but she isn't a bad singer. Art Hammond performs a rather obscure original by Evans, 'It's Love, It's Christmas,' which is played as a waltz with a rather straight-laced vocal. Of greatest interest to Evans' fans are the solo piano tracks: an imaginative, well-developed medley of 'Body and Soul' and 'Smoke Gets in Your Eyes'; an intriguing rehearsal of 'Toccata' by Khatchaturian, one of the rare opportunities to hear the pianist playing classical music (which he studied along with flute at Southeastern Louisiana College); and a pretty ballad medley centered around 'Moonlight in Vermont.' The vintage photographs of Bill Evans in his teens and the warm remembrances of bassist Connie Atkinson (who appears on several tracks) within the liner notes will add to the appeal that this unusual release will have for fans of Bill Evans.
'Very Early: Bill Evans 1956-58' features his recordings with George Russell, Charles Mingus and more. Bill Evans is one of the most influential pianists in jazz history, renowned for his. 'BILL EVANS A Step-by-Step Breakdown of the Piano Styles and Techniques of a Jazz Legend by Brent Edstrom RO. 5 Bill Evans transcriptions taken from the ‘Letter from Evans. Aebersold bill charlap bill evans bob berg Bob James Brad Mehldau cedar walton chris potter Dave Brubeck David Hazeltine ebook eric alexander Freddie Hubbard hank mobley Herbie Hancock JazzPianoOnline joe sample john coltrane joshua redman keith jarrett kenny barron kenny drew.
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| Sample | Title/Composer | Performer | Time |
|---|---|---|---|
| 1 | 02:50 | ||
| 2 | 02:29 | ||
| 3 | 03:14 | ||
| 4 | 02:25 | ||
| 5 | 02:51 | ||
| 6 | 03:28 | ||
| 7 | 04:02 | ||
| 8 | 02:53 | ||
| 9 | 02:57 | ||
| 10 | 03:23 | ||
| 11 | 02:56 | ||
| 12 | Johnny Green / Jerome Kern | 03:23 | |
| 13 | 04:04 | ||
| 14 | 04:16 | ||
| 15 | 01:52 |
His most influential work was done in the trio setting beginning in the early 1960s. As well as a great improvisor, he was an accomplished composer. Waltz for Debbie and Very Early are among his best known pieces. [From Wikipedia] William John Evans, known as Bill Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist. CMaj7 B 7 E Maj7 A 7 D Maj7 G7 CMaj7 B 7 DMaj7 Am7 F m7 B7 Em7(9) A 7 D Maj7 G7 1. BMaj7 A 7 D Maj7 B 7 BMaj7 G7 CMaj7 A 7 D Maj7 G7 CMaj7 A7 Dm7 Em7 FMaj7 G7 Dm7 Em7 FMaj7 G7 (Med. Waltz) A B Very Early Bill Evans.
My Foolish Heart Sheet Music Bill Evans PDF Free Download. For they give the very same sensation When you are lost in the passion of a kiss, oh yeah. Your lips are much too close to mine Beware my foolish heart But should our eager lips combine Then let the fire start.
blue highlight denotes track pickVery Early Bill Evans Montreux
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